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File Size: 39180 KB
Print Length: 365 pages
Publisher: Rocky Nook; 1 edition (February 25, 2016)
Publication Date: March 4, 2016
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B01CZMGU4K
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There are countless Photography books that seems to fall into either three categories. 1) "Hey look how good my photos are, just try harder dude" 2) " Look at the lighting diagrams, that's how I did it" and 3) " This is how you do it and this is why you do it so you can keep getting good results in any environment".This book is category 3. Sometimes you just want to know how to take amazing shots in any environment without feeling the stress of the unknown. He shows you that there should not be luck or chance associated with taking photos for money. Why would anyone put themselves at jeopardy when money is on the line?In summary, it shows you at minimum how to generate perfect Main and Fill light in nearly any setting and any time of day. These are key for excellent photos. It also shows you why you need to shoot manual and remain consistent by forcing the lighting to fit your needs, rather than constantly changing camera settings for available light. This book makes it easy. You'll be like a well oiled machine after reading this and will walk into any shoot feeling like Micheal Jordan.
On the premise that good light is the most important element for a photographer, Roberto’s Valenzuela’s photographic philosophy is based on three ideas: A photographer must understand good light’s behavior, recognize its appearance, and keep his/her camera’s ISO as low as possible when capturing it.In his book, Valenzuela has distilled his philosophy into three concepts that define every shooting decision he makes. They are The Five Behaviors of Light, The Ten Circumstantial Light Elements, and Benchmark Settings. These three concepts create a system that any photographer can apply to any portrait scenario under any lighting conditions.In the many color photo examples, detailed with explanation about how these concepts are applied, the results speak for themselves. His photos are remarkable. Valenzuela demonstrates his techniques under natural and flash lighting, and provides a number of practice exercises to help you build your shooting skills and your attention to good light.His writing style is concise, friendly, and in each chapter he focuses precisely on the lesson being taught. Unlike some other authors, Valenzuela doesn’t waste your time with name-dropping or self-promotion. Every page is written for the reader’s benefit.Picture Perfect Lighting is not just another book with a photographer’s pretty pictures and his/her camera settings written in the captions. This book provides a simple system that gives consistent results. It’s a great foundation upon which beginning photographers can build their own unique style, or experienced amateurs can use to reinvent their work.Kindle owners, or those who have downloaded either the desktop or mobile Kindle App, will get the best deal on price.
This book is packed with excellent guidance and examples of world class pro results and how to achieve them. Well written and fun to read. Kudos to all who were involved in the making of this book. Roberto is one of my favorite photographers in the world today and if you read this book, you will see why. His hard work and thought processes are impeccable. He will make you change the way you look at circumstantial light elements and your photography will benefit from his teachings.Thanks for such an excellent learning tool.......g.
Roberto Valenzuela is to photography what the Masked Magician is to illusion. When in the presence of a stage magician performing tricks, it can be very mind boggling when attempting to comprehend exactly how what one has seen materialize could actually occur in spite of one’s understanding of the laws of physics. So too is the case when viewing photographs created by today’s top photographers of which Mr. Valenzuela is no exception. “How did he do that?†or “How big was the crew?†or even “How much did the lights for that shot cost?†are common thoughts when viewing such photographs. In “Picture Perfect Lighting: An Innovative Lighting System for Photographing People†any cloud of mystery that may have existed is lifted, and the “secrets†are revealed.Over the course of 333+ pages, Mr. Valenzuela reveals several core truths. Not only does he prove that a large crew is NOT needed, nor the most expensive DSLR on the market, or even the most high end lighting equipment, he shows that anyone with a passion for practicing their photographic skills coupled with knowledge of the behavior of light can create professional quality photographs. Early on, he takes the reader through the five behaviors of light with an intuitive explanation of each and easily understood examples. He moves on to explain the process he uses to scout locations with nothing more than a camera and knowledge of light through a system called the “circumstantial light elements.†Through the many behind-the-scenes examples shown in the book and the insistence of the author, it becomes very clear that the quality of the light, not the aesthetics of the location are what make a photograph beautiful.About halfway through the book, he starts to introduce light modifiers and different techniques readers can use to boost the light in their photos. Objects such as reflectors and speed lights are introduced in light of what he calls the “lighting benchmark test.†The basic idea of this philosophy is, in the paraphrased words of the author, “adjusting the light to your camera’s settings, not the other way around.†He first takes the reader through multiple examples of locations that either pass or fail this test with detailed explanations as to why. However, when the natural light is too weak, something more is needed to help boost the light as opposed to raising the camera’s ISO in order to maintain the cleanest possible files. Mr. Valenzuela offers many tips and tricks beyond the conventional for introducing each modifier into the scene. There is even an entire chapter devoted to becoming familiar with one’s flash unit(s) through hands on exercises that readers can practice over and over again.The book concludes with several examples of photographs and why each one is successful. By the time the reader gets to this chapter, all of the previous principles taught in the book will have become so ingrained that he or she will be able to recognize why each location has elicited such beautiful light, hence a successful photograph. Such as in the case of the Masked Magician revealing the secrets of his illusions with relatively simple explanations, the reader of this book will no longer be left asking themselves “how?†but rather, “why didn’t I think of that?â€
I want to tell people about this book but I don’t know who to tell so I’m telling you!!! Buy all 3. Try one. You will buy the other 2 I promise. I have a system for posing, lighting, and I have a solid understanding of composition!!!
Like his other books, Valenzuela presents the information as the theory behind rules to apply rather than the results of the rules to memorize. Once you commit the theory to mind (not that hard to do), then you can be more flexible when exceptions happen.
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This is a nice, reasonably sized book that suffers from a lot of information squeezed into a tiny package. I bought this book primarily in the hopes it would shed some light on the convoluted history of Christianity's Cousin It, Satan. Having grown up in the church, you tend to hear about the devil more than you do god with no real clear explanation of why these two dudes can't get along and the other, supposed 'creator' of his enfant terrible can't do anything about his formerly angelic progeny.I'm not sure how to describe the contents herein. It's a lot of information that is slightly narrative in structure but also of the dry, scholarly kind which presents many different figures, points, quotes, footnotes, etc. as both distinct and yet apart of the narrative. As another reviewer mentioned, this book is primarily concerned with Christianity's historical, real world application of Satan and satanic figures and how it has metamorphosed into the sort of cancerous 'us vs. them' mentality which creates such a rift I'm thought between followers and non-followers.The title should best be read as 'The Origin of the Historical Satan' in contrast to the mythical Demi-god we are typically presented with. Read this book for the historical implications and how 'satanism' (for lack of better words) takes shape in reality. If you're looking to debunk the myth of Satan as a divine being at war with god, you might want to look at other books which deal primarily in the spiritual aspects of demonic theory. This book still deserves a spot on anyone's reading list who is frustrated with the lack of transparency in the history of this religion.
Pagel's writing is always clear and to the point. However, her brush with the Old Testament Satan hardly stands the test of good scholarship. Moreover, her idea that Satan is socially constructed based on her analysis of the New Testament writings left me with an unsatisfied hunger, a need for more. I will confess a bias here, a bias against the fuzzy-headed thinking of postmodern scholars. If you can't explain it, particularly if it is traditional thinking, it 'ain't there.' It's in your head with the rest of the world. It was an interesting book, but Pagel's ideas fall short of the promise in the title. She has no clue about the origin of Satan.
This is a very interesting book that recapitulates the emergence of Christianity in context, detailed and vivid, from its origins in Palestine to its expansion westward. But the focus is on the use of Satan, first as a kind of gadfly or tester of belief in the Jewish and Pauline traditions to the "cosmic war" of later Christianity, whereby opposition from without and within are portrayed as intrinsically evil and irredeemable. It is beautifully written and fascinating throughout, but it was not what I was looking for.The evolution of the notion of Satan progresses from an angel who tests people for God, posing questions and proposing alternatives to the righteous in contravention of God's will, into the embodiment of evil, whether as a being or a force within one's heart and mind. Pagels explains this strictly from both Biblical and "heretical" texts, with a keen eye on political developments of the time. First, in the Hebrew Bible, Satan (or Bielzebub or by any array of names) is an angel. Slowly, he becomes the force behind sectarian disagreements, from intra-Jewish ones to opponents of Jesus' supposed vision for the Jews. He also serves as the source of evil to be found in GOYIM, or those who are not of the nation of Israel. Second, as Christianity progressively becomes dominated by gentiles, the notion of the devil's evil work moves from a) vilification of non-believing Jews, Romans, and Pagans, to b) the condemnation of those Christians who promote rival interpretations to one's own, ending in c) a question of what is in one's own heart and what causes one to sin.All of these notions, Pagels argues persuasively, came to dominate the consciences of the various branches of monotheism over the next 2,000 years. With the accusation (or "demonization") of the "other" as irredeemably evil and not on the side of God and his righteous, it creates a kind of solidarity and certainty in the face of sometimes overwhelming odds - and an excuse to treat others as less than human in a cosmic war. This makes her argument, in my view, essential reading.Nonetheless, I was looking for an examination of Satan himself, not only as a socio-political phenomenon, but as imagery, characterization, etc. As he appears in this book, Satan is a kind of morphing gravity well, a murky socio-political force. While very interesting, I was disappointed and will have to seek the other perspective elsewhere.REcommended with enthusiasm. It is a great review of early Christianity and crucial to understanding the monotheistic mind.
If you're looking for the beginnings of "Satan" (capital "S"), and/or you are not patient with scholarly work, then you really need to pass on this book.Elaine Pagel is a brilliant scholar and writer, but the reader must understand that the subject matter of this book is better characterized by its subtitle: "How Christians Demonized Jews, Pagans, and Heretics.Ms. Pagel invests much of the reader's energy by parsing through the gospels (canonical and Gnostic)and other historic documents to illustrate how frictions of faith in the early church became elevated to a point of putting the mantel of "evil" and "children of darkness" and "demonic" upon those who opposed (and still oppose) Christianity. For those who are truly interested in the early Christian church and its struggles, this is a good work. I was particularly intrigued by the changes that occurred as the early church moved from being primarily a Jewish sect to becoming a Gentile religion.If you're uncertain whether or not this book is for you, read the final chapter, "Conclusion." Ms. Pagel does an excellent job bringing together her main arguments and observations. If what you read interests you, buy or check-out the book. Otherwise, move on to something like "History of Hell," by Alice K. Turner or "A History of Witchcraft," by Russell and Alexander. Those books may be more along the line of what you're looking for in terms of "the origin of Satan."
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