Free Download Hokusai: Prints and Drawings, by Matthi Forrer
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Hokusai: Prints and Drawings, by Matthi Forrer
Free Download Hokusai: Prints and Drawings, by Matthi Forrer
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About the Author
Matthi Forrer is an independent curator and the author of numerous books on Hokusai and Japanese art, including Hokusai and Hiroshige: Prints and Drawings (both by Prestel).
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Product details
Paperback: 216 pages
Publisher: Prestel; Reprint edition (February 5, 2019)
Language: English
ISBN-10: 3791385046
ISBN-13: 978-3791385044
Product Dimensions:
7.9 x 0.7 x 9.6 inches
Shipping Weight: 1.7 pounds (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
12 customer reviews
Amazon Best Sellers Rank:
#874,021 in Books (See Top 100 in Books)
Some previous reviews are strange. "Catfish" apparently reviews the wrong book (this is not a small volume of mostly black and white prints); others complain about the text being preoccupied with description of print variations. In fact the prints are beautiful on lovely paper, and the variations should be of interest for anyone finding other Hokusai prints outside this book (many run so often as to wear out the blocks).My only quibble is that the eminent Mr Forrer's English is choppy and a small but pervasive distraction. For instance he has "oxidated" for oxidized, "deficiency" for defect; and a sentence "No less than three or four different states have been identified for some of these designs, which testifies to their great popularity at the time" (meaning, three or four variations are known of some of these, attesting to their popularity) is typical. I note Forrer's Prestel/Royal Academy book on Hiroshige does not have these flaws.After browsing this volume for several weeks with morning coffee I just came across four erotic prints in the rear. Flowing figures completely different from the usual Hokusai small people battling across landscape. No discussion of print variants here; they were more limited editions. A delight that illuminates a return to "The Great Wave", contrasting formalisms.
This book gets 3 stars for the beautiful reproductions of Hokusai's work. There are approximately 130 plates, most of them in gorgeous color. But I found the text by Mr. Forrer to be very disappointing. There is an opening chapter of around 30 pages which is meant to give you some information about Hokusai and Japanese art in general. It is very straighforward and written in a dry manner. I was hoping for more of a biographical sketch of Hokusai but did not get it. Mr. Forrer writes that "apparently Hokusai lived for his art". Is that supposed to mean that he didn't have a life? I doubt that is the case but unfortunately it is how Mr. Forrer excuses the fact that he doesn't really tell us anything about the man who is generally thought to be the greatest artist Japan has ever produced. The descriptions that accompany the plates are equally disappointing. Hokusai worked mainly in woodblocks and Mr. Forrer spends a lot of time telling us about what variations (reproductions of which are not included) of these woodblocks looked like. He does this on page after page and I found it annoying. Mr. Forrer hammers home the same points on page after page rather than trying to make each plate interesting and distinctive. He keeps pointing out Hokusai's use of linear perspective and of his western style of painting skies (showing individual clouds rather than the traditional Japanese method of just painting a flat wash with some haze for the entire sky). This is interesting the first couple of times you read it but gets tedious after awhile. There is much more that could have been said about these works.If you just want to look at some pretty pictures you will enjoy this book. If you want a more complete picture you will need to look elsewhere.
Beautiful in every way. Though can care less for the content, but some is there if wanted.
beautiful
Beautiful art in this book, I love Hokusai.
This book with its beautifully reproduced prints deepens the pleasure and prolongs the remembrance of the exhibit called Japanesque (at Legion of honor, San Francisco) relating the profound influence the Japanese art had on the impressionist art in Europe.
I am not sure if I was just seeing a bad batch, but I went through a stack of copies of this book, and overall found the colors washed out and faded looking. I know many of the orignal prints have faded, but I have seen better examples, and they could have found better versions to scan/photograph. The choice of prints to show seemed decent. I didn't read the text in depth. The size is aparent from the description; it is decent, not a coffee table size, but good visibility.
Forrer starts this book with about 35 pages of historical notes, which sketch Hokusai's career and the social milieu in which he lived, albeit with some maddening omissions. The timeline on page 37 notes a brief period in which he was "reduced to penury" - something the narrative seems to skip over.No matter, this book is really about the artwork: 130+ works, prints with a few drawings, in color or B&W to match the original work. Opaque, bright paper carries the printing well. Colors tend not to be saturated, something that disappointed me until I realized that it's probably true to the natural fading of inks 150-200 years old. In fact, the one real annoyance in the printing (plate 85) could have gotten its over-processed look from a misguided attempt to pull more contrast from a faded print than the print had to give.A few paragraphs describe each image. The more helpful notes identify the site of a scene, or pick out "product placement" of the publisher's name among kanji characters that I could not make sense of unaided. A few times, descriptions of the obvious seemed un-needed. In a number of places, the author added art-historian notes on the different inking of other known impressions of an image. That could have been helpful in a more scholarly study, but the brevity of this catalog makes such detail seem a bit much.None of that detracts from the art itself. Although the pieces aren't presented chronologically, they cover many parts of Hokusai's career. They include extracts from several series of prints, including the famous "36 Views of Mt. Fuji." No series appears in its entirety (the brevity I mentioned earlier), but I was happy to see selections from groups that I had not heard of before. Of course, the later work includes a few specimens of Hokusai's shunga - the erotic images that so startle a Western eye. This doesn't catalog Hokusai's work exhaustively or give the most detailed history of his life. It does, however, present a gorgeous collection of his work, a collection that goes well beyond what you might expect of an introduction.-- wiredweird
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